Can I be little today?

Can I be little today?

Shrink out of this monkey suit 

Crawl across the carpet and lay

Flat on my back 

Tell Netflix I’m not still watching 

Tell my phone to shut itself down

Tell my eyes and ears and mouth to close

My mind to close 

Whatever that means.

Little today. Just have a little day?

And not be joy’s thief

And not assess dreams

Weighing whether 

It’s too early to give up on them

This weight is big

Bigger than I thought 

When I was little.

When I was little 

The world was my oyster

Collector of pearls

“Lulu” in Arabic 

I know because I’ve traveled

Lived in strange places 

Learned to be foreign

Not learned to be content.

Can I be little today?

So choices can’t affect me

So there aren’t so many

Things to want or count or buy

So I can still be anything

Curious of everything 

Lacking nothing 

So I can just lie

Little

There on the floor

Mind still

Grounded.

Things I know I love in the order of me thinking of them

New Yorker Cartoons

Old movies starring Greer Garson 

The way salt water sticks in my curls   

Poems read aloud by Seamus Heaney

Saying the word “Funicular”

Smiling at babies during Mass 

Talking to old men at bars 

Fatty bites of steak 

High Yield Savings Accounts  

The last chapter of A Tale of Two Cities

Loose linen pants

Christmas cards on the fridge year-round 

Playing music for my mom

Ice cream served in coffee cups

My grandmother’s voice on the phone

Other people’s bookshelves 

George Bailey 

Collecting hats   

My husband’s forearm wearing a watch

The phrase “gash gold vermillion”

Visiting gardens knowing nothing about plants 

My skin at the end of summer 

Slide guitar as a concept

Toddlers in oversized hats

Elderly couples driving convertibles 

Hearing my father sing

Prayer to St Michael the Archangel 

Ermine Frosting 

Joni Michtell’s Blue

Surprisingly, when he calls me “Princess”

Harvard’s Dexter Gate

Walking off of Submarines 

When people read my stories 

The question: “What shall we do today?”

My forehead touching his after a kiss

To be continued…

That Girl’s Dilemma

Your mom, or maybe your grandmother, remembers her. Marlo Thomas, the attractive older woman from the St Jude Children’s Hospital infomercials, in the late 1960s was a progressive television star. She was That Girl. That Girl moved to New York alone to pursue her dream of becoming an actress. That Girl took her fiancé to a women’s liberation meeting. That Girl laughed off all her mistakes. Who is That Girl now? 

Recently for me, That Girl has had a thousand different faces, each bursting in and fading quickly out from my iPhone screen as I scroll. Women teaching me requisite components of an eye-catching outfit. Women promoting strengthening the deep core with pilates. Women offering checklists for achieving everything from healthy hair to a healthy investment portfolio. And I want to be All These Girls. I want to have style. I want abs and toned arms. I want to feel beautiful and live a rich life in every sense of the word. I want to be All These Girls so badly that I’m losing This Girl. I’m losing myself.  

My dilemma reached its peak a few weeks ago when I was on vacation with my husband. While packing for the trip I complained about how my old jeans no longer fit. He, being both a smart and sensible man, told me it’s because my butt’s gotten bigger. He advised purchasing new pants. One night during our travels we decided to dress up for dinner. My husband always dresses up, button-ups are part of his everyday wear. I always dress down, picking one of those many pairs of old jeans and some sneakers for my daily uniform. Tonight I couldn’t get away with this if he was wearing a suit, so I put on a merigold ankle-length cocktail dress I’d ordered a year ago for a wedding we never actually attended. The dinner was unremarkable, but I wanted some photos of us to remember this night when we both looked presentable. I positioned us in front of the full-length mirror in our hotel room, held up my phone and attempted a slimming pose. After multiple counts of choreography: inhaling, dipping the hips forward, tugging the dress, contorting the arms, the results in my view were not art, but ugliness. My stomach was bulging, my chest was too flat, my shoulders too wide. And how uncomfortable I looked. You could see it in the smile I had chosen which I hoped would mask my crooked bottom teeth. The photos were a disaster. At that moment they were a disaster because I wasn’t pretty enough. Because I was too awkward to ever be able to pose right. Because I’d let myself go. Because I was too old for this.

So I got upset. Upset I hadn’t achieved a “post-worthy” snap of the two of us. And then I got more upset about being upset over something like this. Why the heck did I hate my body so much? Where had my confidence gone? When did I become so superficial? A glass of wine later I was still upset, but had at least arrived at my first epiphany with the help of my ever-wise spouse. The photos were a disaster because they weren’t natural. I wasn’t being myself, I wasn’t loving myself, so of course I didn’t look like myself. And no they weren’t even a disaster, I was just hyper-critical. I got out of the merigold dress and into bed and our vacation continued. 

The next day we took a train to a cozy rental in a tiny ski town. I’d survived a somewhat harrowing first day of learning how to snowboard as a full blown adult. My whole being seemed in pain, including my mind. I already knew how to surf and skateboard and thought another board would be no different. The first impact with ice changed that. My Instagram feed that evening was unsurprisingly consumed with extreme sports clips. Masked faces mouthing, “Leave saving the world to the men? I don’t think so.” Pan to girl losing both skis bombing bunny slope. Then I landed on a post from the brand Roxy where the phrase O.M.G repeats over snowboarder Chloe Kim landing a 720. Kinda cool. I steadied my thumb. Half way through the video I was in tears. O.M.G. morphed into “Oh My Goddess” as a skier takes round after round of spills and then lands her jump flawlessly. A pregnant woman coasts down a wave on a longboard. The caption read, “Make waves. Move mountains.” 

It all came together for me over the course of a two minute video. An eye-catching add campaign had made everything click. Make waves. Fricking move mountains. Those Girls were doing something. They were embracing life. They were failing. They were succeeding. They were friends. They were mothers. Those Girls focused on where their bodies could take them. What their bodies could do for them. Not how they looked doing it. Not who else was watching. 

My husband appeared concerned. I had already been in a touchy mood after two ibuprofen to numb my aching legs. Now I was wrapped under a blanket sobbing. Between big breaths I tried to explain to him my sudden onslaught of emotion. There were a few expletives and a bit of snot, but the summary was – I felt inspired, I didn’t feel bad. Somehow, sadly, revolutionary. I had been influenced to remember what women were capable of instead of what we lacked. And yeah, he probably thought that was a little pathetic, but he didn’t say so. He was happy for me. I pulled myself together enough to make it off the couch, but I couldn’t turn this tide of thought. It had further to go. 

I continued on from being inspired by Those Girls to considering my own accomplishments. I’m 27. I’ve been married to the love of my life for 3.5 years. I’m in great health. I’m financially stable. I have a job I succeed in. I have family and friends who love me. In my twenties I’ve achieved effectively everything a sane person could want out of life. I kept going. I have a college degree, from Harvard no less. My job is a Submarine Officer, a position that wasn’t even open to American women 15 years ago. I can write and sing and play guitar and do pull-ups and read Arabic and solve calculus problems (if I study a little). I kept going. I kept listing in my mind and even out loud all the things I had done and could do. All the gifts I had. All the blessings in my life. And by the end of the night I was not just acquainted with, but best friends with That Girl now. That Girl is me. 

If you’ve made it this far in the essay, thank you. But I hope to God you don’t think that my epiphany of self-love is just a means of convincing you to be impressed by me. I’m not influencing you to get married at 23, or join the Navy, or learn an instrument. If you do none of the things I’ve done ever, that’s wonderful. You’re wonderful. You’re not me. You’re you. You have an entirely different story and different set of abilities and accessibilities and hopes and dreams. Now I’m sounding cliché.

The point is That Girl is you- if you let yourself be her. Or him. Or them. 

Remind yourself of this once in a while. It feels good. 

The husband and the marigold dress.

Orange Cats and Midnight Picnics

Orange cats 

Midnight picnics 

Falafel and Fatayar

Old men on exercise equipment

Legs hidden by their attire. 

Grilled corn

Carnival rides

Games of soccer and catch  

Veiled women smoking hookah

As children hang about their necks. 

Dusty air 

Rusted boats

Precious patches of green

A grandmother trails behind her party

What does her smile mean? 

Scooter races

Cyclists

Karak tea served hot 

Couples sitting a few feet apart 

Do they approve of us or not? 

Us on our way to some place

It being cheaper by foot than by car. 

Us who might have missed such things

Still figuring where we are. 

And we might still be figuring 

By the time we have to leave. 

How much time is time enough 

To see all that should be seen? 

History is funny

History is funny 

Funny meaning difficult to explain or understand 

Funny being curious strange peculiar odd 

Not funny ha-ha

This definition apparently originating in the 1800s American South 

Where difficult to explain most certainly overwhelmed ha-ha,

By today’s history at least. 

History is written by the victors

The victors being Machiavelli, Napoleon, Churchill

All attributed to this quote

But history isn’t sure who spoke it or wrote it really 

I don’t feel like a victor yet 

What have I defeated besides death today, yesterday,

Tomorrow?

I write this as a participant in history

A recent witness of events irregular, contentious 

Difficult to explain 

Why we must keep stoking fires

To scorch a path for peace

History meaning violence,

By today’s history at least. 

I don’t feel like a participant

Or a student, or a product, or a pawn, 

I did feel that day as an insider

Though not a person who’d with certainty won

Written by the victors in a thousand lost languages

That probably sound pretty funny,

By today’s history at least.

The holidays are

The holidays are

Armed Forces Network TV over leftovers at the office

Palm trees wrapped in string lights, dimmed by all the dust

Silent Night sung over Salaat five times a day

Being hot in December in the uncomfortable way. 

The holidays are

Remembering you’re not deploying (but you’re deployed)

Guilt from working weekends interrupting any joy

Wandering through Souqs in search of gifts but mostly peace

You need watches? You want Rolex? I give best price, Sadiq.

The holidays are

FaceTiming loved ones living eight hours behind

Like a permanent night shift, stuck in auld lange syne

Baking sugar cookies with only Arabic-labeled butter

Never saying Shukran, afraid we may stutter. 

The holidays are

Not finding a single stocking to deck our hall

Yet being frightened by Nordic Santas that line every store’s walls

In the taxi engines race ahead and rev behind

Horns are the hallelujah chorus repeating in our minds.

The holidays are

Never perfect and neither is this place

And there is so much here that is so damn hard to embrace 

But we’re trying to be happy, or at least to be alright 

Because we have the other beside us every night.

The holidays are 

Never perfect and neither is this land

But we’re not separated by oceans, right now I’m holding his hand

As we walk home from work down our what some could call a road

Any place, together, is enough to be a home. 

Lip Incompetence

You’re always smiling.

I’m always happy –

Except it is the structure of my face.

A mouth-breather,

Big teeth and pink gums and skinny lips

Flashing the bright flag of welcome

I always thought they were. 

Joy because Joy is in my name

And it is in my spirit, 

And it is in my body,

Literally my body –

Jaw misaligned

Shallow neck

Sucking in

And exhaling

Without filter. 

I’m always smiling 

Because Joy is in my name.

And I was taught there’s

Always someone more worse-off.

And privilege has been served

To me on a silver platter –

Where I can see my face there

Smiling. 

Do I keep caring

What’s in a name?

Has my reflection 

Served me well?

Certainly me and 

Others noticing

How happy she must be. 

How happy I must be.

Not always, I can say now,

Teeth still bore. 

It’s just harder

For me to hide them,

Why the lines around 

There are more worn. 

Of all the self-diagnoses

There’s been none

More integral to self:

Were genetics 

Or my choices –

Joy’s greatest help? 

Wherever You Go, You Meet

Wherever you go, you meet part of your story.

Living

In more places my people

Have for generations

Longer lasts

The time apart each time

Leaving the required

Part of going

Coming the redefining 

Home remembering

Those parts you left. 

Wherever you go, you meet part of your story.

Loving

Just one man only 

I’d only just met 

Yet I’ll go 

Where he goes

Past when we

Forget every place

Space that was

And is if the other

Isn’t there. 

Wherever you go, you meet part of your story.

Searching 

For other stories shared

Witness knowing and unknown 

Long stories

Lifetimes relayed

In instances

In stances

In glances 

In hands clasping

In features collapsing.

Wherever you go, you meet part of your story.

Passing

All the places 

My body’s been

Fingers rough from feeling

Souls bear and shod

Which parts 

Part of me 

My story 

Do others get

Do I get to see? 


Wherever you go, you meet part of your story” – Eudora Welty in an interview for The Paris Review, 1972.

Trust the Process

Trust the process.

But the process is 

The grinding of gears

Screeching of wheels

Miss, are you lost

Misplaced hand 

On your ass

Eyes in front

And behind

And the horns 

That speak for him. 

Trust the process.

Process with 

An open mind

Open heart

Closed memory

To any prejudice 

You’ve carried here

There is no room

For prejudice

In this house. 

There is no room 

For brooding

Vrooming

The yellow light means 

Sometimes stop 

Sometimes go

Blow past the 

Girl on the corner

Processing

When to cross

How to make

Her way home. 

Here is home

Now where

An island

The Persian

No Arabian Sea

See me

Trying to see you

My gaze

Still adjusting

To the light

Still processing

The bright 

Eyes through

Her Niqab

Processing

Why she

Wears one. 

I am not

Your kind-

Ness calls no

Nation home

My kind

And your kind 

Need not

Process this

It is simply 

known

Show me.

The green 

Light always 

Means go.